Unruled Notebook

Entries from August 2008

Notes on using LaTeX for Blogging

August 20, 2008 · Leave a Comment

In academia many use TeX typesetting system for their writing needs. The route from LaTeX to PDF is well documented. I use LaTeX to write this blog that carries content in HTML format. Together, these routes are sufficient to serve all my writing needs – research paper submissions, class notes, text book (that I have begun writing), lecture presentation and internet writing. Some notes on the LaTeX to HTML route for blogging:

If you use WordPress as your blog software, typing in LaTeX is already enabled if your blog is hosted through their free http://wordpress.com acocunt. You need to type in your LaTeX commands between $latex… $. If you have a WordPress blog hosted in a separate domain, there are several options to enable math in your blog through LaTeX. If your server allows a latex installation (Dreamhost, my webhost, already runs an installation), enabling server side conversion of latex symbols to images is done through the LaTeXRender wordpress plugin. Other ways exist, when server side install of latex is not possible – see for instance, LaTeX Render as an offline tool or using CodeCogs equation editor.

The disadvantage of this method is that once the internet writing is done (and the blog posted), you are left with a text containing LaTeX markup along with other HTML markups (for list, images, links etc.). If you want this text to be reused in your class notes or research papers (as I require), you probably need to clean it up and reformat to suit those needs.

A better way is to use LaTeX to generate content once in your local computer that runs a TeX installation and convert the content either as PDF or HTML, as required.

Assuming we know to write in LaTeX, we would have our content in, say, a example.tex file. Using a default article class file, this file contains all the standard TeX markups for math equations using standard packages like amsmath, the hypperref package to create hyperlinks and the graphicx package for including and aligning images.

For converting this example.tex to example.html, we can use the TeX4ht package. This package comes with MikTeX 2.7, the TeX program for Windows. For earlier versions of MikTeX, a separate install of TeX4ht is necessary.

TeX4ht converts all LaTeX math markups into PNG images (default) using Image Magick software – which should be installed before running TeX4ht. The other orignial images used in the LaTeX file are retained in their formats. Hyperlink conversion is smooth.

The command line usage of TeX4ht can get tedious (but will definitely work), if you want to use the various features of TeX4ht while generating the HTML files. There is a TeXConverter program developed by Steve Meyer that allows TeX to HTML conversion through mouse clicks, with easy access to additional TeX4ht features including separate image directories and style files. The TeX Converter needs an initial configuration update, after which it should work fine with Win XP. In Windows Vista, for some reason the paths in the .ini file is not recognized. I am yet to find a work around.

But using TeX Converter or command line conversion are optional. Another way is to hack and add optional commands into your TeX editor program itself, to call TeX4ht tools to perform the conversion. I do this.

Following one of these conversion methods, we now have a file that is example.html

If you have a simple HTML based website or one that uses Blosxom to show the files in a blog format, you can simply ftp the example.html and the associated style files and images into the blog root folder and you are done.

Unfortunately, other feature-rich blog or content management software like WordPress, Drupal, Joomla use editors that don’t recognize some of the XHTML tags and indents generated by TeX4ht. If you do a copy paste of the HTML source of example.html into the text editor of these software, the XHTML is not cleaned and the final file looks ugly with hanging markups. To clean this XHTML properly, we could write separate Python scripts, if we are as smart as John Hawks. There are also some workarounds.

Simplest is this: open example.html in a web browser; copy the content directly from the browser and paste into the WYSIWYG type rich text editor of the blog or CMS software and save. For this you need to enable the rich text editor mode in these CMS tools. The content should now look fine. Of course, if you look at the content through the HTML editor (not the rich text editor), you can see the ugly indents and tags are retained. But the direct copy paste allows proper auto wrapping of the text.

Another way is to remove the TeX4ht generated tabs in the example.html source. Removing these tabs and indent wraps manually could be tedious. But there are text editors that do this clean-job for us. I recommend Notepad++, a remarkably powerful yet open source program. A crude way is to open the example.html file in Notepad++, choose Select All text and apply Join Lines command from the Edit menu. Copy the resulting content into your blog or CMS editor (in the HTML mode, not the rich text mode) and save. Your content should look fine. Of course, all the indent tags are retained but they will not be not visible in the browser.

Another way, if you use Notepad++, is to use HTML tidying script through the built-in TextFX plugin.

(If you use other text editors, HTML tidying is available as scripts separately in the HTML tidy project.)

To round off, you can use Notepad++ to Find/Replace the image folder link before each image filename that appears in example.html to match your blog image folder location (say, wp-content/uploads as default in WordPress). This action can be set as a macro. So once your example.html is ready, opening it in Notepad++ and two clicks and copy paste content, you are done.

For geeks: Notepad++ itself handles a host of files including TeX files with decent color markup. Custom user commands can be set in Notepad++ (through hot keys) for running latex or pdflatex for TeX to PDF conversions and running htrun or htlatex for TeX to HTML conversion. This way, Notepad++ serves as your single content generator and manipulator – at least in Windows.

Programs/scripts mentioned above

Code cogs wordpress plugin ; LaTeX Render an offline LaTeX to image conversion tool ; CodeCogs, a LaTeX equation editor ; Image Magick image editing software ; TeX4ht package for TeX to HTML conversion using MikTeX ;MikTeX 2.7, Windows TeX installation ; TeXConverter program ; Notepad++ text editor ; TextFX plugin for Notepad++ ; HTML tidy scripts for cleaning HTML documents.

Categories: Academics
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Porous Medium Homogeneity and Representative Elemental Volume

August 19, 2008 · Leave a Comment

We have defined earlier what is a porous medium [1]. What constitutes a homogeneous porous medium?

We are aware of the concept of homogeneity [2]. A homogeneous material has its properties invariant with location and size of the material portion from which those properties are to be measured or determined.

According to this definition, interestingly, even heterogeneous material are often classified as homogeneous because they are rendered incapable of sizing (or seeing) of their individual heterogeneity in a particular visual resolution level. The location or size of the individual heterogeneity could be small and hence negligible when compared with the size of the material sample.

The example in the figure illustrates this situation. The region in the figure can be treated as homogeneous (material) in a visual resolution level provided its size is considerably bigger than the size of the single black dot.

On the other hand, uniformly spread heterogeneity in a particular material sample may allows the heterogeneous material to be treated as a homogeneous material. A porous medium comprising of at least two homogeneous material constituents, presenting identifiable interfaces between them in a resolution level, is considered homogeneous in this sense. The following figures explain the concept.

The LHS figure is a geometric structure that satisfies the definition of a porous medium. Based on certain properties that we could measure, this porous medium can be considered homogeneous. Let us measure the volume fraction of the porous medium defined as the ratio of total volume of the pores and total volume occupied by the porous medium. For the two dimensional example porous medium the volume fraction reduces to a surface area fraction. The surface fraction can be defined as the ratio between the total area of one constituent of the porous medium (say, the white region in the figure) and the total area of the sample considered. Figure 1b illustrates a method to measure this surface fraction.

Considering the area of the sample size enclosed by the rectangle marked as 1 in the figure, we can see the surface fraction of the white region would be unity. On the other hand, if we do use region marked 2, the measurement would result in a surface fraction between one and zero. Proceeding in this manner, We could perform subsequent experiments by increasing the measurement window. The result could look something as shown in the figure.

The Φ symbol on the ordinate represents the surface or volume fraction of the sample and the abscissa represents the increasing size of the measurement window. After the initial wiggles for small values of the measurement window, as the size of the sampling area (or volume) increases, the surface (or volume) fraction settles down to a certain fixed value, within certain percentage of error. For the example porous medium considered in the earlier figure, this happens beyond a sample area size represented as 4 (arbitrarily, not to scale). Beyond this size, any further increase in the sampling size should result in a fixed value for the surface fraction. In other words, beyond the visual resolution of this sampling area, the porous medium would exhibit homogeneity in terms of the property, surface (or volume) fraction.

Before finalizing this sampling area we need to do one more check. That the surface fraction determined using a particular measurement window yields identical surface fraction (within agreed error), even when the experiment is performed at several different locations in the porous medium sample. This is illustrated in the next figure that shows a metal foam type porous medium.

In the figure, the surface (or volume) fraction measured in the sampling size marked 1 should remain invariant when tested at different locations of the larger sample. If it doesn’t satisfy the check, a larger sampling area (marked 2) should be tested as a suitable candidate.

A homogeneous porous medium is a concept based on a property of the porous medium. In the examples discussed here, the surface fraction is the utilized property. Such a definition of homogeneity is not new. It is how, for instance, the concept of continuum is defined.

The accompanying figure is reproduced from page 5 of [3]. It defines continuum using the density variation over a volume sampling for a ”continuous” medium. The analogy with what we discussed so far for a porous medium is obvious.

Observe in our example that once a critical sample size is determined based on the invariance of the surface fraction, the actual porous medium can be constructed by repeating the critical sample size endlessly. This is possible because, by virtue of the procedure we followed, the determined critical sample size and the total porous medium both should yield identical surface fraction. The sampling fraction (volume, in 3D) beyond which homogeneity can be claimed for a porous medium based on the volume fraction, is called the Representative Elemental Volume for that porous medium. Representative, because, the structure contained inside that volume represents completely the entire porous medium; Elemental because, with the help of such volume regions, we can construct the entire porous medium.

Analogous to the continuum concept defined for single constituents – as done using density in the earlier example – a homogeneous porous medium is defined over a porous continuum. In a porous continuum, every point represents not the individual constituents but the porous medium itself. A point in a porous continuum represents a finite volume – the REV – of the porous medium. The picture of the metal foam above, when viewed at a distance, would blur the interfaces between the metal matrix and the voids, resulting in a continuous indistinguishable haze. That visual resolution (or equivalently, the sample size) defines a porous continuum.

References

  1. http://unrulednotebook.wordpress.com/porous-medium-definition.html
  2. http://en.wikipedia.org/wiki/Homogenous
  3. G. K. Batchelor, An Introduction to Fluid Dynamics, Indian reprint Amazon Link

Categories: Fluid Sciences · Lecture Notes · Porous Medium
Tagged: , , , , ,

Paper Read List Aug 2008

August 17, 2008 · Leave a Comment

If your research interests doesn’t overlap with mine, you may not find this list useful.

Thermal

Thermal-Boundary-Layer Response to Convected Far-Field Fluid Temperature Changes Hongwei Li and M. Razi Nalim, J. Heat Transfer 130, 101001 (2008) (6 pages) Abstract | DOI http://dx.doi.org/10.1115/1.2953239

Fractal Model for Thermal Contact Conductance Mingqing Zou, Boming Yu, Jianchao Cai, and Peng Xu, J. Heat Transfer 130, 101301 (2008) (9 pages) Abstract | DOI http://dx.doi.org/10.1115/1.2953304

Small and Large Time Solutions for Surface Temperature, Surface Heat Flux, and Energy Input in Transient, One-Dimensional Conduction A. S. Lavine and T. L. Bergman J. Heat Transfer 130, 101302 (2008) (8 pages) Abstract | DOI http://dx.doi.org/10.1115/1.2945902

Multidisciplinary Design and Optimization Methodologies in Electronics Packaging: State-of-the-Art Review Hamid Hadim and Tohru Suwa, J. Electron. Packag. 130, 034001 (2008), DOI: http://dx.doi.org/10.1115/1.2957459

A.H. Ahmadi Motlagh, S.H. Hashemabadi, 3D CFD simulation and experimental validation of particle-to-fluid heat transfer in a randomly packed bed of cylindrical particles, International Communications in Heat and Mass Transfer In Press, Uncorrected Proof, , Available online 3 August 2008. doi:10.1016/j.icheatmasstransfer.2008.07.014

F. Corvaro, M. Paroncini, An experimental study of natural convection in a differentially heated cavity through a 2D-PIV system, International Journal of Heat and Mass TransferIn Press, Corrected Proof, , Available online 15 August 2008. doi:10.1016/j.ijheatmasstransfer.2008.05.039

M. Wong, I. Owen, C.J. Sutcliffe, A. Puri, Convective heat transfer and pressure losses across novel heat sinks fabricated by Selective Laser Melting, International Journal of Heat and Mass Transfer In Press, Corrected Proof, , Available online 21 July 2008. doi:10.1016/j.ijheatmasstransfer.2008.06.002

Jung-Yeul Jung, Hoo-Suk Oh, Ho-Young Kwak, Forced convective heat transfer of nanofluids in microchannels, International Journal of Heat and Mass Transfer In Press, Corrected Proof, , Available online 22 July 2008. doi:10.1016/j.ijheatmasstransfer.2008.03.033

Giulio Croce, Paola D’Agaro, Compressibility and rarefaction effect on heat transfer in rough microchannels, International Journal of Thermal Sciences In Press, Corrected Proof, , Available online 15 August 2008. doi:10.1016/j.ijthermalsci.2008.07.009

Fluids

An Experimental Procedure for Determining Both the Density and Flow Rate From Pressure Drop Measurements in a Cylindrical Pipe Ghislain Michaux, Olivier Vauquelin, and Elsa Gauger J. Fluids Eng. 130, 094501 (2008) (3 pages) Abstract | DOI http://dx.doi.org/10.1115/1.2953294

Interaction of a skewed Rankine vortex pair S. Jayavel, Pratish P. Patil, and Shaligram Tiwari, Phys. Fluids 20, 083601 (2008), DOI: http://dx.doi.org/10.1063/1.2969115 | http://link.aip.org/link/?PHFLE6/20/085101/1

Experimental and numerical studies of the flow over a circular cylinder at Reynolds number 3900 Philippe Parnaudeau, Johan Carlier, Dominique Heitz, and Eric Lamballais, Phys. Fluids 20, 085101 (2008), DOI: http://dx.doi.org/10.1063/1.2957018

Dynamics of drying in 3D porous media Authors: Lei Xu, Simon Davies, Andrew B. Schofield, David A. Weitz | [v1] Tue, 29 Jul 2008 23:07:46 GMT (336kb) | arXiv:0807.4757v1 [physics.flu-dyn]

CHRISTOF SODTKE, VLADIMIR S. AJAEV and PETER STEPHAN (2008). Dynamics of volatile liquid droplets on heated surfaces: theory versus experiment. Journal of Fluid Mechanics, 610, pp 343-362 doi: 10.1017/S0022112008002759

C. J. HEATON (2008). Linear instability of annular Poiseuille flow. Journal of Fluid Mechanics, 610, pp 391-406 doi:10.1017/S0022112008002577

Comparison Between Theoretical CFV Flow Models and NIST’s Primary Flow Data in the Laminar, Turbulent, and Transition Flow Regimes Aaron Johnson and John Wright, J. Fluids Eng. 130, 071202 (2008), DOI: http://dx.doi.org/10.1115/1.2903806

IAN S. SULLIVAN, JOSEPH J. NIEMELA, ROBERT E. HERSHBERGER, DIOGO BOLSTER and RUSSELL J. DONNELLY (2008). Dynamics of thin vortex rings. Journal of Fluid Mechanics, 609, pp 319-347 doi: http://dx.doi.org/10.1017/S0022112008002292

SAIKIRAN RAPAKA, SHIYI CHEN, RAJESH J. PAWAR, PHILIP H. STAUFFER and DONGXIAO ZHANG (2008). Non-modal growth of perturbations in density-driven convection in porous media. Journal of Fluid Mechanics, 609, pp 285-303 doi: http://dx.doi.org/10.1017/S0022112008002607

BABURAJ A. PUTHENVEETTIL and JAYWANT H. ARAKERI (2008). Convection due to an unstable density difference across a permeable membrane. Journal of Fluid Mechanics, 609, pp 139-170 doi: http://dx.doi.org/10.1017/S0022112008002334

Hubert Chanson, Current knowledge in hydraulic jumps and related phenomena. A survey of experimental results, European Journal of Mechanics – B/FluidsIn Press, Corrected Proof, , Available online 1 July 2008.  | Link | doi:10.1016/j.euromechflu.2008.06.004

The friction factor of two-dimensional rough-pipe turbulent flows Authors: Nicholas Guttenberg, Nigel Goldenfeld |[v1] Mon, 11 Aug 2008 06:33:42 GMT (66kb)| arXiv:0808.1451v1 [physics.flu-dyn]

Porous Medium

Flows Between Rotating Cylinders With a Porous Lining M. Subotic and F. C. Lai J. Heat Transfer 130, 102601 (2008) (6 pages) Abstract | http://dx.doi.org/10.1115/1.2953305

Modeling the Natural Convection Heat Transfer and Dryout Heat Flux in a Porous Debris Bed R. Sinha, A. K. Nayak, and B. R. Sehgal J. Heat Transfer 130, 104503 (2008) (5 pages) Abstract | DOI http://dx.doi.org/10.1115/1.2952756

D. Jamet, M. Chandesris, On the intrinsic nature of jump coefficients at the interface between a porous medium and a free fluid region, International Journal of Heat and Mass Transfer In Press, Corrected Proof, , Available online 4 August 2008. doi:10.1016/j.ijheatmasstransfer.2008.04.072

A. Barletta, M. Celli, D.A.S. Rees, The onset of convection in a porous layer induced by viscous dissipation: A linear stability analysis, International Journal of Heat and Mass Transfer In Press, Corrected Proof, , Available online 31 July 2008. doi:10.1016/j.ijheatmasstransfer.2008.06.001

B. Zhang, T. Kim, T.J. Lu, Analytical solution for solidification of close-celled metal foams, International Journal of Heat and Mass Transfer In Press, Corrected Proof, , Available online 25 July 2008. doi:10.1016/j.ijheatmasstransfer.2008.06.006

Y.-M. Hung, and C. P. Tso, Temperature Variations of Forced Convection in Porous Media for Heating and Cooling Processes: Internal Heating Effect of Viscous Dissipation, Transport in Porous Media, Aug 2008, doi:10.1007/s11242-008-9226-8

Comment on “Radiative Effect on Natural Convection Flows in Porous Media”, A. A. Mohammadein, M. A. Mansour, Sahar M. Abd El Gaied and Rama Subba Reddy Gorla [Transport in Porous Media 32:263–283, 1998], Transport in Porous Media, Aug 2008, 10.1007/s11242-008-9269-x

Bio-Heat

E.Y.-K. Ng, A review of thermography as promising non-invasive detection modality for breast tumor, International Journal of Thermal Sciences In Press, Corrected Proof, , Available online 31 July 2008. doi:10.1016/j.ijthermalsci.2008.06.015

Categories: Fluid Sciences · Porous Medium · Read List · Research Notes · Thermal Sciences
Tagged:

Boiling Song by the Kitchen Band

August 5, 2008 · Leave a Comment

Here is the rambunctious boiling song from the one and only kitchen band. [Boiling Song MP3 File. Size is 1.1 MB, links to boxnet page for play and download. See Note 2 for copyright]. Listen to the song before you read this essay. The song is a mix of hard rock and grunge instrumental with high-pitched multiple wailing guitar sounds and cacophonous tempo changing beats. But I assure you, no musical instrument has been used for recording this song.

The sound is really cacophonous (what else you expect from a hard rock?). Take precautions like wearing a headphone. Now for some sleeve notes about the record.

The Kitchen Band comprises of Gas Stove, Water Vessel, Heat Energy and Mother Nature.

We all have witnessed the phenomenon of boiling. For most of us, it begins in our kitchen or bathroom and proceeds until the dining room and perhaps stops there, forever. For the purpose of this essay we shall take it a bit further. Boiling comes in several shapes and sounds, grouped under the two broad categories, pool boiling and flow boiling. Unlike an Italian Screwdriver (which is not a screwdriver made in Italy), Pool Boiling, as the name suggests is associated with a boiling pool of liquid. It is the boiling of a stationary mass of liquid. An example is the familiar water boiling in the pan on a kitchen stove. Flow boiling is means flow of the boiling fluid. An example is the flow inside the boiler tube (water wall panels) of a thermal power plant.

Pool boiling includes five regimes of reasonably distinct characterizations. Taking the familiar liquid water as the example liquid, let us start heating it in a kitchen vessel kept over our standard gas stove to explore. Along the way, we shall create the song.

As we know, water boils at 100 degree C. Not exactly true. A better way to say that is liquid water that is in contact with its vapour boils at 100 degree C. If it is not in contact with its vapour, but still in contact with a heating surface, it continues to remain in liquid form and raises its temperature to more than a few degrees above 100 degree C, for conventional machined surfaces like our kitchen vessel. Then it bubbles up. This range of heating of water from its room temperature falls within a regime that is identified with natural convection of water [1]. See how the red curve is depicted in the left bottom corner of Fig. 1 below.

An explanation of Fig. 1 is now in order. The abscissa is the excess temperature between the wall temperature (the bottom surface of the kitchen vessel kept over the stove) and the saturation temperature of the fluid (in our case, water). The ordinate is the heat flux that is released into the boiling fluid (in our case, water). The red curves are paths that characterize what happens to a fluid undergoing pool boiling in all of its five distinct stages.

PIC

Figure 1: Pool Boiling Regimes

This region is marked by a bubble inception point where the first bubble can be noticed in our vessel of heated water. Beyond this region, water boils and the nucleate boiling phase begins. This means, initially isolated bubbles are formed in the nucleation sites, which are nothing but gaps or imperfections in the heater surface – in our case, the bottom inner surface of the heated vessel on the stove. When the nucleation sites become aplenty, as the heating increases (see Fig. 1), the bubbles generated from these sites merge together to form vertical columns and slugs that could in principle reach the top free surface of water in the vessel.

No commercial kitchen stove is capable of supplying heat energy fast enough to the water to reach even the slugs and columns regime. So we may not see this range in our kitchen experiment, unless we conjure up a mini nuclear reactor as our kitchen stove. In which case, keep me informed of it, before you invite me over for dinner.

Proceeding to heat and boil the water beyond the slugs and columns regime in a laboratory set-up, there results a situation when a peak heat flux value is reached (marked qmax,, in the ordinate of Fig. 1). Further increase of heating results in sudden increase of temperature difference (marked in the abscissa). This mostly leads to the melting of commonly used heater material surface. The transition boiling region connects this peak heat flux limit with the film boiling regime, wherein the heater surface is completely blanketed by a film of vapour of the liquid (water, in our case). Heat transfers across the film, into the liquid water residing unstably above the vapour layer.

Further explanations about many of these interesting phenomena are kept out of this essay. There are separate monographs of knowledge available for pool boiling alone (and more for flow boiling). Take a look at the reference [1]. We now go back to the song of our kitchen band.

We now understand the simple kitchen experiment we have performed. In this experiment, just after the bubble inception point, hot vapour bubbles form near the bottom of the vessel (close to the stove) and raise to the top surface of the vessel through the liquid water. The rest of the water column along the vertical path of the bubble is colder than the hot vapour bubble. So while raising, when the top surface of these bubbles come in contact with the colder water above, collapses suddenly by condensing. This cavitation collapse of the vapour bubble results in the high pitched noise (ping) that falls within our audible range.

The noise is a mixture of pings from several thousands of bubble collapse at the same instant. The process of bubble formation and collapse at a higher point is repeated at a high frequency resulting in us hearing the high pitched sound continuously. Further, the smaller the bubble size, the higher the pitch. Longer the vertical column of water, longer the duration of singing one can hear. This is because the vertical residence distance (hence the cooling distance) for the bubbles is increased before they reach the top free surface of the water inside the vessel.

At an instance, bubbles of several sizes are always present in the boiling process. The singing we hear is always a mixture of sounds of several frequencies influenced further by the cross dispersion before it reaches our ears. See for instance, in Fig. 2, the bubble distribution across the surface of the water inside the kitchen vessel.

PIC

Figure 2: Boiling Bubbles

[The above picture is taken in our kitchen and doctored a bit to visualize the bubbles better. Sophisticated doctoring techniques exist to better capture these bubbles.]

As the heating results in further increase of temperature, the bubble sizes also grow bigger and the sound becomes muted. The bubbles no longer condense within the water column in the vessel but reach the surface of the water and escape the vessel. Water in the vessel continues to boil with a dull gurgling sound. We don’t hear this in our recorded song as it takes a while in my experiment to reach this stage (about 4 minutes for the vessel I used). I have cut those parts out. The outro that one hears in the end part of the audio is the well isolated bubble situation, when the system cooled down after the stove is switched off.

The staccato drumming that one hears over the singing (the wailing guitars like sound) is more due to the pinging noise from the collapse of the bubbles that originally form on the inner surface of the hot side walls of the stainless steel vessel that is used in the experiment. One could reduce this drumming noise with another type of vessel. But the initial singing depends on the nucleation sites at the bottom of the vessel. The required size of these nucleation sites range between 0.005 mm to 5 micro-m [1] – a range in tune with the commercially manufactured surfaces (of cooking vessels).

All the noise explained so far and the accompanied phenomena are well within the bubble inception and isolated bubble region of Fig. 1. We don’t reach the slugs and columns range of Fig. 1 in our kitchen. There ends the sleeve notes for the boiling song from our kitchen band.

Wouldn’t you want to go back now and enjoy listening to the nucleate boiling bubble cavitation grunge again?

Notes

[1] The explanation given in this essay is not rigorous in many places. The essay should serve as only a starting point for understanding the phenomena of boiling. Consult text books (one is given in [1]) for quantitative explanations.

[2] The boiling song audio given in this essay is copy-lefted. It is available for copy-lifting under a re-creative non-commons license. For hearing a live version of it with a variation of the theme, next time stay close to the hot water that you are making.

Reference

[1] A Heat Transfer Text Book by John H. Lienhard IV and John H. Lienhard V. Website for download: http://web.mit.edu/lienhard/www/ahtt.html

Categories: Lecture Notes · Science Notes · Thermal Sciences
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